Oscars 2021 Predicting the Winner in Every Category
Oscars 2021: Predicting the Winner in Every Category
Contents
- 1 Oscars 2021: Predicting the Winner in Every Category
- 1.1 BEST PICTURE
- 1.2 BEST DIRECTOR
- 1.3 BEST ACTRESS
- 1.4 BEST ACTOR
- 1.5 BEST SUPPORTING ACTRESS
- 1.6 BEST SUPPORTING ACTOR
- 1.7 BEST ORIGINAL SCREENPLAY
- 1.8 BEST ADAPTED SCREENPLAY
- 1.9 BEST CINEMATOGRAPHY
- 1.10 BEST COSTUME DESIGN
- 1.11 BEST FILM EDITING
- 1.12 BEST MAKEUP & HAIR
- 1.13 BEST PRODUCTION DESIGN
- 1.14 BEST ORIGINAL SCORE
- 1.15 BEST ORIGINAL SONG
- 1.16 BEST SOUND
- 1.17 BEST VISUAL EFFECTS
- 1.18 BEST ANIMATED FEATURE
- 1.19 BEST DOCUMENTARY FEATURE
- 1.20 BEST INTERNATIONAL FILM
- 1.21 BEST ANIMATED SHORT
- 1.22 BEST DOCUMENTARY SHORT
- 1.23 BEST LIVE ACTION SHORT
The 2021 Oscar nominations are here, and although the ceremony is more than a month away, here are our current picks for who will take home the gold.
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The 2021 Oscar nominations have been revealed, but who will the winners be? The ceremony is scheduled for late April, and a lot can happen from now until the winners are announced – including how the studios’ campaigns shake out. Frontrunners may fade, and late-breaking Academy favorites can easily pull ahead, but precursor awards combined with a film’s Oscar nomination profile can show prognosticators what’s up, what’s down, and what’s on the rise.
Oscar nomination morning has become almost synonymous with controversy regarding snubs, but there’s plenty of history to celebrate with 2021’s crop of nominees. While Ma Rainey’s Black Bottom and One Night in Miami missed out on presumed Best Picture nods, this year represents the most diverse acting slate in Academy history, with Minari’s Steven Yeun becoming the first Asian-American Best Actor nominee. On the other side of the camera, Chloé Zhao and Emerald Fennell are part of the first Best Director crop to include two women, with Zhao not only being the first woman to be nominated for four Oscars in one year but also the first Chinese-American woman nominated for Best Director. She and Minari director Lee Isaac Chung also represent only the fifth and sixth Asian directors in the category.
All of this history comes packaged with the most bizarre Oscar season in history, celebrating a year of film when most movie theaters were closed due to a global pandemic and viewers had to turn to streaming to catch the latest offerings. With voters sequestered in their bubbles and minimal screenings and campaign-funded dinners possible, Oscars 2021 is ripe for upsets and surprises, but here’s how the winners look at this current moment of the race.
BEST PICTURE
- The Father
- Judas and the Black Messiah
- Mank
- Minari
- Nomadland
- Promising Young Woman
- Sound of Metal
- The Trial of the Chicago 7
Nomadland has swept awards season thus far, becoming the first film in history to win both the Golden Lion at the Venice Film Festival and the Toronto International Film Festival’s Peoples Choice Award, before moving on to clinch the majority of critics’ Best Film prizes and Best Picture at the Golden Globes and Critics Choice Awards. All that hardware is helpful, but could paint a target on the film’s back at a fairly precarious stage of the race. With some time to go until the ceremony, it still remains to be seen if the Academy’s largest voting branch, the actors, will want to give top prize to a fairly slowly-paced, plotless film featuring only two professional actors; critical darlings Boyhood and Roma certainly dominated the early parts of their respective awards seasons before falling short at the finish line. Should that be Nomadland’s fate, look to Screen Actors Guild (SAG) Cast nominees Minari or The Trial of the Chicago 7 to spoil. At this stage, though, it’s Nomadland’s to lose.
Will and should win: Nomadland
Could win: Minari
Should’ve been nominated: Da 5 Bloods
BEST DIRECTOR
- Lee Isaac Chung, Minari
- Emerald Fennell, Promising Young Woman
- David Fincher, Mank
- Chloé Zhao, Nomadland
- Thomas Vinterberg, Another Round
Whether or not Nomadland takes home Best Picture, this race is all but a lock. While there was initial projection that this might finally be David Fincher’s year, general reception to Mank has been cool. Chloé Zhao, on the other hand, has dominated this category all season long and looks poised to sweep the rest of the way, making her only the second woman to win Best Director and the first Chinese-American woman winner in the Academy’s history.
Will and should win: Chloé Zhao, Nomadland
Could win: Lee Isaac Chung, Minari
Should’ve been nominated: Kelly Reichardt, First Cow
BEST ACTRESS
- Viola Davis, Ma Rainey’s Black Bottom
- Andra Day, The United States vs. Billie Holiday
- Vanessa Kirby, Pieces of a Woman
- Frances McDormand, Nomadland
- Carey Mulligan, Promising Young Woman
The Best Actress category has been all over the place this season, with Never Rarely Sometimes Always’ Sidney Flanigan splitting critics prizes with Carey Mulligan all winter before Andra Day delivered a shocking win at the Golden Globes. Carey was back on top again at the Critics Choice Awards, but she now faces heavy competition from Viola Davis at the SAG Awards on April 4th. Davis would become only the second Black woman to win Best Actress at the Oscars, and there may be increased support for her after the film’s surprising snub for a Best Picture nomination. Still, Carey has never won, and this would be the perfect place to reward a film the Academy clearly loves.
Will win: Carey Mulligan, Promising Young Woman
Could win: Viola Davis, Ma Rainey’s Black Bottom
Should win: Frances McDormand, Nomadland
Should’ve been nominated: Sidney Flanigan, Never Rarely Sometimes Always
BEST ACTOR
- Riz Ahmed, Sound of Metal
- Chadwick Boseman, Ma Rainey’s Black Bottom
- Anthony Hopkins, The Father
- Gary Oldman, Mank
- Steven Yeun, Minari
The trophy’s engraved, it’s just waiting to be picked up April 25th. Chadwick Boseman, whose life and career were cut shockingly short in 2020, will forever be Academy Award winner Chadwick Boseman, as it should be. In his final performance, he leaves it all on the table. It’ll be a worthy and bittersweet win.
Will and should win: Chadwick Boseman, Ma Rainey’s Black Bottom
Could win: Riz Ahmed, Sound of Metal
Should’ve been nominated: Delroy Lindo, Da 5 Bloods
BEST SUPPORTING ACTRESS
- Maria Bakalova, Borat Subsequent Moviefilm
- Glenn Close, Hillbilly Elegy
- Olivia Colman, The Father
- Amanda Seyfried, Mank
- Yuh-Jung Youn, Minari
Lock it in: Glenn Close is going home empty-handed, tying Peter O’Toole’s record for most Oscar nominations without a single win at eight. After that, this is truly anyone’s game. Olivia Colman is clearly beloved and, as Sally Field can attest, when the Oscars like someone, they really, really like them. Seyfried could also surge, though Mank seems likely to be 2021’s Irishman – lots of nominations, no wins. The critical darlings all season have been Yuh-Jung Youn and Maria Bakalova, with the latter being the only nominee in the category to clinch nods at Globes, Critics Choice, BAFTA, SAG, and the Oscars. Youn would be a fantastic winner, but it’s just too difficult to root against Borat 2’s Bakalova, whose win for playing Borat’s feral but endearing daughter Tutar would be an anomaly in Academy history; such an out-and-out comedic performance has never won. Still, her win here is not out of the question, particularly since she went head-to-head with one of 2020’s biggest villains, Rudy Giuliani himself.
Will and should win: Maria Bakalova, Borat Subsequent Moviefilm
Could win: Yuh-Jung Youn, Minari
Should’ve been nominated: Dominique Fishback, Judas and the Black Messiah
BEST SUPPORTING ACTOR
- Sacha Baron Cohen, The Trial of the Chicago 7
- Daniel Kaluuya, Judas and the Black Messiah
- Leslie Odom Jr., One Night in Miami…
- Paul Raci, Sound of Metal
- Lakeith Stanfield, Judas and the Black Messiah
After the chaos and confusion of the Actress categories, this one seems like another safe lock. Daniel Kaluuya is clearly an Oscars favorite, defying the Academy’s horror-bias with a nomination for his performance in Get Out. There still is hope for Sacha Baron Cohen, who has been a bit of a Man of the Year with his contrasting turns in Borat Subsequent Moviefilm and The Trial of the Chicago 7. However, Kaluuya has Critics Choice and the Globe under his belt, and seems likely to steamroll straight to the Oscar.
Will and should win: Daniel Kaluuya, Judas and the Black Messiah
Could win: Sacha Baron Cohen, The Trial of the Chicago 7
Should’ve been nominated: Orion Lee, First Cow
BEST ORIGINAL SCREENPLAY
- Judas and the Black Messiah
- Minari
- Promising Young Woman
- Sound of Metal
- The Trial of the Chicago 7
This looks to be a two-horse race between Critics Choice winner Promising Young Woman and Globes’ choice The Trial of the Chicago 7. Aaron Sorkin’s main hurdle here seems to be getting nominated, having been snubbed by the writers’ branch for his work on Steve Jobs. Now that he’s in, though, it’ll be hard for the Academy to deny him a win. Promising Young Woman could win, of course, but The Trial of the Chicago 7 is a real heavyweight this awards season and, even if it doesn’t win anywhere else, this is likely the place it’ll be rewarded.
Will win: The Trial of the Chicago 7
Could win: Promising Young Woman
Should win: Judas and the Black Messiah
Should’ve been nominated: The King of Staten Island
BEST ADAPTED SCREENPLAY
- Borat Subsequent Moviefilm
- The Father
- Nomadland
- One Night in Miami…
- The White Tiger
Kemp Powers is a bit of an all-star in 2021, having both adapted One Night in Miami from his own play and co-written Soul with Pete Docter and Mike Jones. It would make sense to reward him here, but One Night in Miami is missing a Best Picture nomination and no film this century has won this category without a nod for top prize. That really only leaves Nomadland and The Father, and while the former won Critics Choice and is expertly-adapted from its source material, it just doesn’t have the feel of a Screenplay winner at the Oscars, which is typically more showy in its writing and dialogue-driven. The Father may be a bit of an untested winner here, but it could very easily run the table for the rest of the season.
Will win: The Father
Could and should win: Nomadland
Should’ve been nominated: I’m Thinking of Ending Things
BEST CINEMATOGRAPHY
- Judas and the Black Messiah
- Mank
- News of the World
- Nomadland
- The Trial of the Chicago 7
Mank’s gorgeous, black-and-white photography could still take Best Cinematography, but Joshua James Richards’ work on Nomadland, with its haunting horizons and magic-hour melancholy, is fairly undeniable. It’s also swept this award thus far in the season, giving it a fairly clear path to the Oscar.
Will and should win: Nomadland
Could win: Mank
Should’ve been nominated: First Cow
BEST COSTUME DESIGN
- Emma
- Ma Rainey’s Black Bottom
- Mank
- Mulan
- Pinocchio
With only two Best Picture nominees in the category, this feels like a two-horse race between Ma Rainey and Mank, with the latter facing the stat of no black-and-white film winning here since the Academy changed from having separate categories for black-and-white and color films. This should be a fairly easy victory for previous winner Ann Roth, who at 89 ties the record for oldest nominee in Oscar history, with James Ivory and Agnès Varda.
Will win: Ma Rainey’s Black Bottom
Could and should win: Mank
Should’ve been nominated: The Personal History of David Copperfield
BEST FILM EDITING
- The Father
- Nomadland
- Promising Young Woman
- Sound of Metal
- The Trial of the Chicago 7
With five Best Picture nominees on the docket, this is truly anyone’s to win. Critics Choice was profoundly unhelpful, awarding a tie to Sound of Metal and The Trial of the Chicago 7. Both make up the flashiest of the bunch, typically a good sign for the eventual winner at the Oscars, and given its quick-cut montages and snappy courtroom scenes, it seems logical to give the edge to Chicago 7.
Will win: The Trial of the Chicago 7
Could win: Sound of Metal
Should win: Nomadland
Should’ve been nominated: Mank
BEST MAKEUP & HAIR
- Emma
- Hillbilly Elegy
- Ma Rainey’s Black Bottom
- Mank
- Pinocchio
A good rule of thumb for figuring out what the Oscars eventually reward is subbing out the word “best” for “most”; “Most Costumes,” “Most Editing,” and, in this case, “Most Makeup & Hair.” In this case, that’s Ma Rainey’s Black Bottom, which transforms Viola Davis into the titular character with undeniable craft.
Will win: Ma Rainey’s Black Bottom
Could win: Hillbilly Elegy
Should win: Pinocchio
Should’ve been nominated: Bill & Ted Face the Music
BEST PRODUCTION DESIGN
- The Father
- Mank
- Ma Rainey’s Black Bottom
- News of the World
- Tenet
Mank leads the Oscar nominations with 10, and it would seem likely to follow in the footsteps of The Irishman last year and go home empty-handed were it not for this category. With its incredible attention to detail and period recreation, this feels like a lock.
Will and should win: Mank
Could win: Ma Rainey’s Black Bottom
Should’ve been nominated: First Cow
BEST ORIGINAL SCORE
- Da 5 Bloods
- Mank
- Minari
- News of the World
- Soul
Best Original Score is a stacked category, with a worthy surprise nod for Terence Blanchard’s stirring score for Da 5 Bloods, the only nomination to which that film woke up this morning. However, consensus seems to have decided Soul is the winner here, and that seems likely to repeat up to the Oscars.
Will win: Soul
Could and should win: Minari
Should’ve been nominated: Tenet
BEST ORIGINAL SONG
- “Fight For You,” Judas and the Black Messiah
- “Hear My Voice,” The Trial of the Chicago 7
- “Husavik (My Hometown),” Eurovision Song Contest: The Story of Fire Saga
- “Io Si (Seen),” The Life Ahead
- “Speak Now,” One Night in Miami…
Leslie Odom Jr. is a double nominee, for his performance as Sam Cooke in One Night in Miami and for that film’s closing credits song, “Speak Now.” There’s always the chance this award could go to Diane Warren’s The Life Ahead song, giving her a much-anticipated victory after 12 nominations without a win, but this seems like Leslie’s to lose.
Will win: “Speak Now,” One Night in Miami
Could win: “Io Si (Seen),” The Life Ahead
Should win: “Husavik (My Hometown),” Eurovision Song Contest: The Story of Fire Saga
Should’ve been nominated: “Rain Song,” Minari
BEST SOUND
- Greyhound
- Mank
- News of the World
- Soul
- Sound of Metal
No longer is this the office pool-decider split of Sound Mixing and Sound Editing, the Academy has finally lumped it all together in one general Sound category. Typically, war films do well in this category, so Greyhound shouldn’t be counted out. However, Sound of Metal’s final act is an almost exclusively audio experience, and not to insult anyone’s intelligence, but it’s got “sound” in the title.
Will and should win: Sound of Metal
Could win: Greyhound
Should’ve been nominated: The Invisible Man
BEST VISUAL EFFECTS
- Love and Monsters
- The Midnight Sky
- Mulan
- The One and Only Ivan
- Tenet
The general rule of Best Visual Effects is to choose the Best Picture nominee (last year, 1917 trumped special effects extravaganza Avengers: Endgame). When there’s none nominated here, go with the film that feels the most like a Best Picture contender. That’s a toss-up between The Midnight Sky and Tenet, but even despite the ongoing discourse and criticism of Christopher Nolan’s latest film, it just feels too undeniable a winner.
Will and should win: Tenet
Could win: The Midnight Sky
Should’ve been nominated: The Invisible Man
BEST ANIMATED FEATURE
- Onward
- Over the Moon
- A Shaun the Sheep Movie: Farmageddon
- Soul
- Wolfwalkers
Shaun the Sheep is now a two-time Oscar nominee, sneaking in over presumed contender Over the Moon. However, there’s very little chance Best Animated Feature goes to any other nominee than Soul, which has recognition of being a Pixar film as well as having a profound story to tell.
Will win: Soul
Could and should win: Wolfwalkers
Should’ve been nominated: Over the Moon
BEST DOCUMENTARY FEATURE
- Collective
- Crip Camp: A Disability Revolution
- The Mole Agent
- My Octopus Teacher
- Time
Over the past several years, the presumed frontrunner in Best Documentary Feature has missed out on a nomination. Not so in 2021, as Garrett Bradley’s intensely moving documentary Time, which has dominated in critics’ wins, found a spot among the five. There’s still room for others to gain momentum, but especially after a summer dominated by Black Lives Matter and difficult but important conversations about race relations in America, this shattering film about a Black woman fighting for two decades to release her husband from a 60-year prison sentence feels like the absolutely correct winner.
Will and should win: Time
Could win: My Octopus Teacher
Should’ve been nominated: Boys State
BEST INTERNATIONAL FILM
- Another Round (Denmark)
- Better Days (Hong Kong)
- Collective (Romania)
- The Man Who Sold His Skin (Tunisia)
- Quo Vadis, Aida? (Bosnia and Herzegovina)
The last two years, the winner of Best International Film has also been a Best Picture nominee, with last year’s Parasite becoming the first in this category to take home top prize at the Oscars. This year has no such nominee, although Another Round’s Thomas Vinterberg stole that fifth Directing slot from Aaron Sorkin. Combine that with a star turn from Casino Royale and Hannibal star Mads Mikkelsen, as a high school teacher experimenting with being drunk all the time, and this is probably the winner.
Will and should win: Another Round
Could win: Collective
Should’ve been nominated: La Llorona
BEST ANIMATED SHORT
- Burrow
- Genius Loci
- If Anything Happens I Love You
- Opera
- Yes-People
The shorts categories are notoriously difficult to predict, but this seems like a two-horse race between If Anything Happens I Love You and Burrow. The latter is Disney’s entry, and while that may seem like reason enough to pick it, their track record in this category in terms of wins is actually pretty low. If Anything Happens I Love You is the most emotional, and with Netflix pushing it hard, it seems likely to be the victor.
Will and should win: If Anything Happens I Love You
Could win: Burrow
Should’ve been nominated: Out
BEST DOCUMENTARY SHORT
- Colette
- A Concerto is a Conversation
- Do Not Split
- Hunger Ward
- A Love Song For Latasha
Part of the New York Times Op-Docs series, A Concerto is a Conversation seems like a classic, timely, and heart-tugging winner here. It’s a two-hander about Horace Bowers Sr., a 92 year-old Los Angeles entrepeneur who came from the Jim Crow South, and his 31-year-old grandson Kris Bowers, the successful composer of Bridgerton and Best Picture winner Green Book.
Will and should win: A Concerto is a Conversation
Could win: A Love Song For Latasha
Should’ve been nominated: Abortion Helpline, This is Lisa
BEST LIVE ACTION SHORT
- Feeling Through
- The Letter Room
- The Present
- Two Distant Strangers
- White Eye
If there’s a contender in Best Live Action Short with a big movie star in it, that’s typically the winner. That was expected to be The Human Voice, directed by Pedro Almodóvar and starring Tilda Swinton. However, with that snubbed, this seems likely to go to The Letter Room, which stars Star Wars and Inside Llewyn Davis favorite Oscar Isaac.
Will win: The Letter Room
Could and should win: Two Distant Strangers
Should’ve been nominated: The Human Voice
- SR Originals
- oscars
- The Trial of the Chicago 7
- tenet
- soul
- ma raineys black bottom
- mank
- promising young woman
- one night in miami
- sound of metal
- nomadland
- Minari
- judas and the black messiah
Kyle Wilson is a writer for Screen Rant. Originally from Pennsylvania, he graduated Carnegie Mellon University in 2014 and since then has been based in Brooklyn, NY. He is a big fan of Paddington and Joe Pesci’s performance in “The Irishman.”
Link Source : https://screenrant.com/oscars-2021-winners-nominees-categories-predictions/
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