Zelda Theory Majoras Mask Based On Five Stages Of Grief

Zelda Theory: Majora’s Mask Based On Five Stages Of Grief

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The Legend of Zelda: Majora’s Mask’s five locations have made some fans draw comparisons to the five different stages of grief. Here’s why.

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Zelda Theory Majoras Mask Based On Five Stages Of Grief

Nintendo’s offerings are typically light-hearted and playful in tone, but The Legend of Zelda: Majora’s Mask is so contrastingly twisted that some fans have theorized the game represents the five stages of grief. From its three-day time limit to its nightmare-inducing moon, Majora’s Mask is easily one of the darkest Zelda games Nintendo has ever released, so it’s almost no surprise the title has interesting theories about its narrative.

Majora’s Mask begins directly after Ocarina of Time, when Zelda sends Link into the past to relive the childhood that was stolen from him. Navi the fairy abandons Link, and he heads to Princess Zelda to warn her of Ganondorf’s plan to take the Triforce for himself. Finally, Link ventures into the uncharted territory of the Lost Woods seeking his reunion with Navi, and it’s after this that the theory begins to take shape.

After the Skull Kid turns Link into a Deku in the woods, Link’s new quest is to get his Ocarina and human form back, then stop the Moon from crashing into Termina by rescuing four giants in each of Termina’s provinces. With these four areas combined with the central Clock Town, there are five areas in Termina, which is the same number of stages in the Kübler-Ross model of grief. The theory is that each of these regions is associated with a specific stage of grief, and Link even goes through them in the same order as the Kübler-Ross model: denial, anger, bargaining, depression, and finally acceptance.

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Each Majora’s Mask Region Could Represent A Stage Of Grief

Clock Town could represent denial because the residents and carpenters all stubbornly stay in Clock Town denouncing the apocalypse while throwing a carnival even though their imminent doom is all too clear. Next, the Deku of Woodfall could represent extreme anger. Their princess has gone missing, so they lash out at an innocent monkey instead of calmly planning out what to do to save her. Darmani desperately bargains for Link to find a way to bring him back to life, but there’s nothing he can do to save him in Snowhead. The singer of Great Bay’s most beloved band is depressed and hopeless after her eggs were stolen from her. Finally, Sharp comes to terms with how he mistreated his brother, and Link learns acceptance atop the Stone Tower Temple in Ikana, which is symbolized by climbing the tower and acquiring the Light Arrows which represent enlightenment.

It’s an interesting theory for sure, but Link’s glum attitude at the start of the game (after the events of Ocarina of Time) coupled with the aforementioned list of similarities to grief implies that Link specifically must be grieving something. As previously mentioned, Link’s childhood was ripped out from underneath him during Ocarina, which means Link could be grieving over his lost childhood. Navi leaves after his quest in Ocarina was complete, already symbolic of his transition to adulthood because Hylians cannot go to Kokiri Forest without a fairy, and that forest is home to a species of people who never grow up. Link also never finds Navi in Majora’s Mask, which means that Navi could represent child-like innocence itself. It’s impossible to say for sure, but perhaps The Legend of Zelda: Majora’s Mask is an allegory for Link accepting he’s no longer a child despite his unfortunate circumstances, learning to move on and live for the future instead.

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Link Source : https://screenrant.com/legend-zelda-majoras-mask-theory-five-stages-grief/

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